Maksim Fadeev
Actor of the Ilkhom Theatre since 2002, director and teacher of acting and stage speech.
- Occupation:
- Actor
Biography
Maksim Fadeev graduated from the 4th Studio of the School of Dramatic Art at Mark Weil's Ilkhom Theatre in 2002 and has been an actor of the theatre since then (with breaks). He was one of the heads and the director of a theatre project at the Rotonda cultural centre in Moscow and taught stage speech and acting at its theatre school (2006-2007). In 2008-2010 he was a director at the Republican Puppet Theatre of Uzbekistan, and in 2010-2011 head and director of the People's Theatre at the AGMK Palace of Culture in Almalyk. In 2008 he won the Grand Prix of the first K. Mukhitdinov competition of actors' song.
His archive roles include Jacques (Portrait of Mademoiselle Tarji), the Woodcutter (Blood Wedding by Lorca), the Groom (The Petty Bourgeois Wedding by Brecht), and Engstrand and Pastor Manders (Ghosts by Ibsen). In the current repertoire he plays Pablo and Rudolfo in Tortilla Flat, the Contemporary, the Priest and God in A Free Novel, the Judge in White White Black Stork, Pantalone in Happy Beggars, Bahram's Servant and Khoja in Seven Moons, and Matzerath in The Tin Drum.
His directing work includes The Two Maples by E. Schwartz (Republican Puppet Theatre, 2010), The White Cat (Almalyk, 2011) and the mystery play The Cup of Khayyam (2014); in the Monday. Free Stage project he performed the rock meditation A Duet About Nothing.
Career
- Ilkhom TheatreActor, director · Tashkent · 2002–present
